New Voices: Mari LaCure

New Voices is Printeresting’s newest effort to recognize and support young and emerging artists. These articles will be image-heavy and accompanied by short reviews of art work, providing both a glance at emerging print-based work and a review of compelling and innovative artists who have not yet been widely recognized by the broader printmaking community. Check out the submission process here if you’d like to be considered for a future New Voices feature! Today we begin the series with Mari LacCure, a recent MFA graduate (2010) of the University of Kansas.

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LaCure’s mixed media work explores printmaking alongside drawing, painting, collage, and textile. Drawing from microscopic and macrosopic source material—constellations, cellular structures, and the ocean—LaCure weaves patterns from nature in each of her series: Cosmos, Waves, Clouds, and Crystals. First distilling information to its most fundamental parts, LaCure then uses repetition to create dense, immaterial spaces and forms. The work feels measured and careful, a bit scientific, yet distinctly poetic too. Each series evokes a greater perspective of complex ideas and forms, and reverence of the search for those things which are indiscernible and infinite, even today. Contemplation is a part of her practice, and the resulting work reveals the unobservable or unnoticed around us as both calculable and yet uncertain.

LaCure is based in Beverly, Massachusetts, where she teaches at Montserrat College of Art. She was the recipient of a 2011 Artist Innovation Grant from the Kansas Arts Commission, and has been awarded residencies at Women’s Studio Workshop and Emmanuel College in Boston. Her work is included in several collections including the RISD Art Museum, Washington University in St. Louis, and the SGCI Archive.

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