Medula Negra of Xalapa
In addition to state awards Mexico's federal government offers an additional 200 Young Creator grants annually. This generous artist grants system has it's critics who insist the system is designed to tame Mexican artists. This is not the case with Sebastian. His new work deals with difficult socio-political issues including migration, homelessness, and even narco-trafficking.
http://www.youtube.com/watch?v=hIcGdDxXEQM
Sebastian's current project Huellas Lejanas (Distant Footprints) can be seen in Pablo Roma's video above. Huellas Lejanas begins with Sebastian physically deconstructing abandoned shoes he finds in the street. He inks and prints the imploded shoes creating poignant relics of nameless individuals. He amps up the metaphor by juxtaposing banker's oxfords on the same page with peasant sandals and cheap plastic shoes. Sebastian plowed his grant money into Medula Negra. They both manage to sell some prints. They spent 25,000 pesos on a used etching press with a 32 by 60 inch bed and had it trucked 300 winding mountain miles from Oaxaca. They invested in a professional website, video production, and slick black on black business cards. Javier shared his 2012 woodcut series Metal Para Sordos (Heavy Metal for the Deaf). The imagery remixes comic book typography and abstract forms in a rough cut version of Pop Art. He uses the cheapest sort of 2-ply plywood. Asked if he had ever tried Japanese shina, he said, "This is Mexico!" How about linoleum ? "I love wood." he said. Lately he is working on anonymous portraits, small editions done in the 'placa perdida', or reduction print method.Javier explains his recent projects in this video by Adolfo Gurrola (in Spanish):
http://www.youtube.com/watch?v=0Hip3g9qfVY
The pair tend to do their own distinct personal experimental projects and assist each other when printing on the press. That will have to change this fall. Sebastian is heading to Havana, Cuba for an artist's residency at ISA, Instituto Superior de Arte. Javier is gearing up to print works in Sebastian's signature monoprint style while he is away. They both love Xalapa, but have a long-range dream of a Medula Negra studio in Oaxaca, Mexico's print mecca. They recently did an experimental residency there, printing in relief with glass at Gorrila Gallery. Wherever they settle, the want Medula Negra to be a place international printmakers come to work. Beginners? "We hope not, " they laughed, "only the best!" It is shame young artists of Mexico are not better known in the U.S. It is far easier for them to visit Europe because of our restrictive visa process. I came to be interested in Mexican prints via political works pasted on outdoor walls. Medula Negra's print output is more fine art oriented. They want their work hanging inside and well as outside. Their optimism, despite the extremely limited market for art is inspiring. I am always amazed that for less than the price of a mass-produced red velvet sombrero in Cancun's airport, one might purchase a work of art from a young creator. I returned from Mexico with a PVC pipe filled with 20 small prints on loan from Medula Negra in my duffel bag. Medula Negra's small prints will hang in Kutztown University's Rohrbach Library Gallery beginning on Sept. 16, Mexico's Independence Day. Maybe you can't visit Kutztown or Xalapa. Take a virtual studio tour on the Medula Negra blog. Even if you don't speak Spanish, the sound tracks are catchy, and the prints are a feast for the eyes. Photo credits for the two black and white photos: Tirso PérezBookmark / Share / PrintCategories: Studio Visit





Tirso Pérez gets photo credit for the black and white portraits of Sebastian and Javier above.
[…] studio and put in long hours at the press. I wrote about Medula Negra for the online journal, Printeresting. They lent me a batch of their small works to exhibit at Kutztown University’s Rohrbach […]
¡Que bien compañeros!
Fregones ambos 😀
¡Felicidades!