Nicola Lopez
Parasite, 2006, woodcut on mylar, tape, nylon string
Half-life (detail), 2007, photolitho, woodblock and silkscreen on mylar. Published by Tandem Press
Nicola Lopez describes the physical process of constructing her installations as a reflection of the evolution of the urban landscape: “In the accretion of imagery and physical material, a history and structure are built in my work that reflect the layers of architecture, history, technology and topography that make up the world depicted. I use the language of printmaking to address the processes of automation and mass production that have brought today’s world into existence.”
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